Author: Brian Selznick
This is a “novel in words and pictures” even more so than the author’s celebrated The Invention of Hugo Cabret. By this I mean that the story is told by means of two threads. One, told mainly in words but with some haunting pictures (especially of dreams) is of young Ben Wilson. The other told entirely in pictures for the first two thirds of this hefty book is of a young girl in an earlier age. One of the joys of this complex literary device is the ability to hint at links between the two stories… and there is a delight in doing this while swapping medium (words to pictures and back). Initially the links are reflections or echoes, but gradually the two stories converge and as you might expect a moment comes when they become one story.
As with Hugo there is considerable drama surrounding the main protagonist, Ben. His mum has died, and though he is cared for by a kindly Aunt and Uncle, he is slowly starting to realise the depth and consequences of his loss. His nights are disturbed by terrifying dreams of wolves, and shows strange obsessions in wanting to collect tiny objects that are meaningless to others. All these disturbances crystallize when his one good ear is damaged and he decides to plunge into a search for someone or something he has lost.
I enjoyed reading Wonderstruck. It is, in appearance, a solid tome, but due to the heavy paper weight and many, many double spread illustrations the reading time is not that long. It is a satisfactory story with drama, tension and completion, but I enjoyed the medium and process a bit more than the actual story. There was a sense to me that the story telling was a bit disjointed in parts, and the ending perhaps too comfortable.
This would suit most ages though some of the images could be uncomfortable for young children, who would also struggle with some of the descriptive and explanatory print passages. There are important themes of dealing with grief, struggles with memory, friendship, family and disability. Just as Hugo celebrates the history of the theatre so Wonderstruck has a good deal about museums in it.
Andrew Lack
Head of the Odell Learning Resources Centre
This is a “novel in words and pictures” even more so than the author’s celebrated The Invention of Hugo Cabret. By this I mean that the story is told by means of two threads. One, told mainly in words but with some haunting pictures (especially of dreams) is of young Ben Wilson. The other told entirely in pictures for the first two thirds of this hefty book is of a young girl in an earlier age. One of the joys of this complex literary device is the ability to hint at links between the two stories… and there is a delight in doing this while swapping medium (words to pictures and back). Initially the links are reflections or echoes, but gradually the two stories converge and as you might expect a moment comes when they become one story.
As with Hugo there is considerable drama surrounding the main protagonist, Ben. His mum has died, and though he is cared for by a kindly Aunt and Uncle, he is slowly starting to realise the depth and consequences of his loss. His nights are disturbed by terrifying dreams of wolves, and shows strange obsessions in wanting to collect tiny objects that are meaningless to others. All these disturbances crystallize when his one good ear is damaged and he decides to plunge into a search for someone or something he has lost.
I enjoyed reading Wonderstruck. It is, in appearance, a solid tome, but due to the heavy paper weight and many, many double spread illustrations the reading time is not that long. It is a satisfactory story with drama, tension and completion, but I enjoyed the medium and process a bit more than the actual story. There was a sense to me that the story telling was a bit disjointed in parts, and the ending perhaps too comfortable.
This would suit most ages though some of the images could be uncomfortable for young children, who would also struggle with some of the descriptive and explanatory print passages. There are important themes of dealing with grief, struggles with memory, friendship, family and disability. Just as Hugo celebrates the history of the theatre so Wonderstruck has a good deal about museums in it.
Andrew Lack
Head of the Odell Learning Resources Centre
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